Pocahontas.
From what I can remember, Disney’s Pocahontas is a film that focuses on respect for nature and understanding between cultures. ”These movie may not go along with the exact stry, but it has the true meaning. This movie is a great example of how war is aweful and that no matter what race we are we can come together” said Youtube’s gym18linz. Obviously he or she got the message that was intended. Or at least I think he or she did. I’m not entirely sure. Regardless, I remain more concerned with the personalities and relationships between characters and how they go alongside this general message.
See, there’s John Smith. He quickly establishes himself as the lead male with his appearance and American accent. It’s pretty normal for Disney films to take any group of people in their films that aren’t from the US and give them all a fairly ugly appearance and their proper accents, except one, that one usually being the lead male. (Aladdin, for example.) Within minutes of the film starting he’s thrusting his bravery and caring ways at everyone. He even points out that no one would do the same for him. Kind of ungracious but whatever.
Pocahontas, in all her pretty Native Indian loveliness, shows up as an adventurous, spiritual character, constantly shown appreciating nature and chatting with animals who don’t chat back. She’s described as spirited at one point, fairly standard stuff for a Disney girl. She’s almost a carbon copy of Belle from Beauty and the Beast with her yearning for adventure and disregard for the local swoon-merchant.
Kocoum, an attractive guy who’s proven himself in battle and impressed the chief (Pocahontas’ dad) with his killings. Pocahontas detests him for his seriousness and, despite her later protests to John Smith and all of her peace preaching, she doesn’t seem to bare the pride Kocoum takes in his violence in mind when complaining about him. The guy is pretty boring, though, nice and caring and all, but dull as anything. Bad luck she’s got an arranged marraige with him, though we all know that goes out the window.
See, despite Pocahontas’ basic fear of committing to one person in case she’s missing out on fun elsewhere, when she meets John Smith she goes right for him. Before that can happen, though, we’re better acquainted with the villain of the story: Ratcliffe. The guy wants all the gold (GOLD!) in Native India and John Smith and the rest of the ‘half witted peasants’ are going to do it for him. Of course, they’re going to kill any “savages”, as they call them, that get in their way, and I feel that it should be noted by anyone watching that just as Ratcliffe is picked out as a nasty villain for referring to the workers with an ugly term like that, the workers should be picked out as nasty villains for using another ugly term. But John Smith is awful pretty so I don’t know if that comes across.
Ratcliffe is, of course, ugly and fat. He dresses decadently and ridiculously and has a silly little (adorable) dog. He also comes complete with effeminate sidekick and total comic relief tool, Wiggins. A skinny, camp, twitchy little guy. They finish up plans as the boat ..uh.. pulls up(?) to shore and an excited John Smith looks at the beautiful scenery (it really is fucking beautiful- I love animation) and sets out to do that gold digging, savage killing shit that they planned to do. He pisses off, of course, adventurous feller that he is, and stumbles upon our Pocahontas, who also got into this position because of her inability to not wander about looking for things.
Meanwhile, the village is in a frenzy of fear trying to figure who on earth these people are, why they’ve shown up and what they can do to protect themselves. I’m sure a bunch of research went into the traditional beliefs here, and that they were then all, quite literally, disneyfied for the sake of a film that didn’t get too into semantics. They’re right to be scared, the British pricks are relentlessly digging up land and are willing to kill whoever tries to stop them. By this time, John Smith’s bragging about ‘taming the land’ too, talking about the place like it’s his possession because he’s shown up and he quite likes it.
Now, I’d like to point out that he was about to shoot Pocahontas until the fog cleared and he saw how pretty she was. One could say that perhaps her appearance stopped him in his tracks simply because he wasn’t expecting to find a ‘savage’ so attractive, that her gentle face almost shocked him into lowering the gun, that it made him rethink his careless killing. But, whatever, that’s when a bunch of parents and worry-worts (sure, myself included, somewhat) start to moan and complain and express their outrage about Disney teaching young children the importance of their outer appearance to a worrying degree. It’s as though they can’t help it, though, villains must be ugly, heroes pretty, and beautiful women will always live happily ever after. I’m not defending it, I’m just putting it in the ‘suspend disbelief’ category- you have to just get over it and move on if you want to enjoy what are otherwise good films.
He makes the decision to talk to her, anyway, and through the magic of ‘listening with her heart’, Pocahontas can speak perfect English back at him (there’s that disbelief suspending you want to start doing). She tells him that he’s the savage for his views on the world and the way he treats people and nature, she even sings him a nice big song and they roll about or something. It’s that song, y’know, the one characters in films fall in love to during a montage of a happy day. She also tells him that there’s no gold, silly British pricks, just corn. He tells everyone but they insist that Pocahontas is a big fat liar who wants all the gold for herself. They also get kind of pissed off with John Smith because he had a chat and a frolic with one of them instead of shooting her in the head and that’s not what’s supposed to happen.
Team Pocahontas have started attacking Team John Smith, by now, so everything’s really quite tense, making the romance somewhat forbidden. This is probably the only reason that commitmentphobe and adventure seeking Pocahontas is interested; give it a few years and she’d get bored and go after Kocoum instead. It’s too late, though, and their romance has blossomed, Pocahontas has even introduced John Smith to Grandmother Willow, a wise old talking tree Pocahontas goes to for guidance. Pretty fucking weird for John Smith, but okay, he seems to cope with it okay.
The two are desperately trying to hide from everyone, because you know no matter who finds out about them, they’re gonna be annoyed. Desperate to get married and live happily ever after (I don’t know) the two try to reason with their own ..tribes, shall we call them, pleading with them to talk, sort things out that way. Sad thing is, not everyone can ‘listen with their heart’ and learn another language in minutes so that’s not too likely. They’ve really no choice but to kill each other.
Grandmother Willow encourages Pocahontas and John Smith to just try a little bit harder and, considering how old and wise and stuff she is, they listen, and they’re set to go until they’re caught together by Kocoum, who attacks John Smith out of jealousy and disgust, from what I can gather. Of course, one of the British blokes sees this and shoots Kocoum. Didn’t I mention, before, about how Kocoum had proven himself? Yeah well everyone quite liked him and once he’s dead they all go ape shit because he was turning out to be pretty awesome, by their standards. Everyone (not British) seems pretty disgusted that a man’s killed another man, actually, but I assumed there must have been deaths before this point, if they’ve any fighting skills at all. Maybe I’m wrong.
John Smith honourably takes the blame for the killing to protect the fairly useless guy who actually did it and is scheduled for a grand execution in the morning. They do say their goodbyes and make peace with the fact that they had a happy little while and nothing can be done, but Grandmother Willow bloody insists that Pocahontas do something just in the nick of time, as the British and the Native Indians are marching into battle. The crescendo of music culminates as Pocahontas makes a stand and insists to her father that if John Smith dies then so must she. The speech she gives moves everyone present so much that they all put down their weapons and make cooey faces at one another, it’s quite sweet, though John Smith gets shot by Ratcliffe’s attempts to start up the battle all over again.
With his injuries, John Smith has to sail home, and with her obligations, love of nature and lack of shoes, Pocahontas has to stay where she is. There’s a big emotional parting. Look, I just think Pocahontas loves the drama. Sure, she’s spirited, strong willed, whatever you want to call it, but for really underwhelming reasons. There’s aimless determination to do something, whatever that is, which is something most people can relate too.
There’s a lot be talked out in the way of cultures and war and nature and spirituality in this filmbut I always find it pretty interesting, the timeless relationship dynamics that Disney use and the character traits that wouldn’t be out of place in a totally different film, despite the fairytale fantasy feel of a Disney film.
In their desperate attempts to push certain morals into their films, they seem to accidentally end up with these perfectly relatable stories and characters.
Did I just talk this long about Pocahontas? Yes, I did. I really did. Shit.